Yet another good album from Porcupine Trees main man. Most tracks seem to me though to follow the now over familiar Steve Wilson song style ,which is my only criticism here. To be honest it's not until we get to track 5 do we get into something more progressive/inventive and memorable. 'Vermillioncore' is a powerful instrumental with King Crimson styled bass. Now an whole album of this! would have been GREAT! 'Don't Hate Me' is an excellent, if unecessary reworking of one of Porcupine Trees best songs, with some female vocals and closes the album. Worth checking out for the tracks mentioned! SC&E
Steven has come back, with six easy-to-soak songs upon the newest album
"4 1/2". Actually, I'm not so familiar with his creation until now
enough to discuss his music style or album itself, but his previous
album "The Raven That Refused To Sing (And Other Stories)" has
amazed me a lot ... anyway, I could listen to and enjoy "4 1/2" with
fresh feeling, whether "The Raven ..." is fantastic or not. Able to
mention
this album should sound like his straight attitude for pop / rock, not
so innovative nor novel though. Indeed the first shot "My Book Of
Regrets" has a couple of variations scattered along with his soundscape,
but his music basis sounds consistent from the beginning to the
end ... Various phrases squeezed can be heard as a mass of rock. This
mass cannot be divided into pieces (pop and anti-pop) ... can you?
"Vermillioncore"
is another heavy and cool starshine around him. Tight but distorted
vibes kick us away. Her vermillion would be
attractive, mysterious, and poisonous ... that could kill us swiftly
only if we touch this, I imagine. Such an obvious risk and benefit he
might
launch via this track. Aye for him, rainy Sunday might be a colourful
day, I guess through "Sunday Rain Sets In". To run and hide our heads
should not always be needed under the Sunday rainy sky, but be careful
to get drastic shower or dreadful thunder / lightning sometimes
attacking us ... he says upon this colourful stuff. Quite simple but
enjoyable. And yes, "Year Of The Plague", almost a solo track by Steven,
is one of my favourite songs. We must get immersed in
river-flowing-out-like rhythm prints and dreamy, heartwarming melody
lines ... he
might show something veiled in his inner meditative world for grabbing
our serious, sincere reaction in front of the song out.
And as a
result ... I suppose all of his sincerity for music would be expressed
over the last song "Don't Hate Me", that sounds of
kaleidoscopic appearances. Sometimes quiet, sometimes violent (Theo's
freakout saxophone is pretty effective), sometimes depressive,
and sometimes enthusiastic ... and every vision repeats over and over on
a regular basis. This atmospheric tide formed by Steven Project
cannot be avoided at all. Every rock fan can enjoy this fantastic rock
dish, I'm sure!
A surprise, in-between interim
bridge-between album from workaholic master composer maestro mixer
masterer overachiever extraordinaire Steven Wilson!
Jumping in, I'm
caught by both stylistic and technical change from recent material - the
36--minute effort finds (forgive the phrase) Wilson at his solo work's
most "accessible" and what I find to be the closest to the famed
Porcupine Tree sound. Out are most of the avante gardish-ish jazz
jam-isms we found on his seminal Raven that Refused to Sing album and to a lesser degree found on Hand Cannot Erase
(though that album certainly was more "mainstream" and less jazzy).
That should come as no surprise since a majority of the material here
was cut from Hand Cannot Erase.
Not being a big fan of jazz in general, this, in this humble listener's opinion, is a good thing...
Highlights-
The album opener "My Books of Regrets" is a lovely nine-minute suite that, after 10 or so listens is really growing on me.
"Happiness
III" is a wonderful gem, hummable and would have fit in nicely into of
the lighter material we found in 2000s-era Porcupine Tree album.
"Year of the Plague" (dark, the listener can easily tell it's the only track here from Raven)
and "Sunday Rain Sets in" (from WIlson's latest) are both lovely
instrumental tracks- not the best he's done but great nonetheless.
Yet
another vocal-free jam, "Vermillioncore" reminds me a lot of
"Bornlivedie" (especially around the 2-minute mark) from one of my
all-time favorites Signify.
A perfect Wilson/Ninet Tayeb duet re-imagining of 1999 Stupid Dream's
"Don't Hate Me" closes the album (of course it does) finding Wilson and
his solo-career comrades perfectly replicating and expanding upon the
dreary 17 year-old classic. Theo Travis effortlessly replays his
saxophone solo that I've always loved in this song too.
Songs / Tracks Listing
1. My Book of Regrets (9.23)
2. Year of the Plague (4.15)
3. Happiness 3 (4.31)
4. Sunday Rain Sets In (3.50)
5. Vermillioncore (5.09)
6. Don't Hate Me (9.34)
Total Time 36:42
2. Year of the Plague (4.15)
3. Happiness 3 (4.31)
4. Sunday Rain Sets In (3.50)
5. Vermillioncore (5.09)
6. Don't Hate Me (9.34)
Total Time 36:42
Line-up / Musicians
- Steven Wilson / vocals, guitars, keyboards, bass guitar
- Guthrie Govan / lead guitar
- Nick Beggs / bass guitar
- Marco Minnemann / drums
- Adam Holzman / keyboards
- Theo Travis / saxophone, flute
- Ninet Tayeb / vocals
- Guthrie Govan / lead guitar
- Nick Beggs / bass guitar
- Marco Minnemann / drums
- Adam Holzman / keyboards
- Theo Travis / saxophone, flute
- Ninet Tayeb / vocals
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