Showing posts with label Amon Duul II. Show all posts
Showing posts with label Amon Duul II. Show all posts

Monday, 12 September 2011

Amon Duul II - Viva La Trance (1974)


Vve la trance is just like wolf city sounding,it starts with a morning excuse which is a good start to the album which i play twice it just could of been a minute longer i think,another song i like on this is apocaliptic bore where chris karrer sounds brilliant on this anmd the guitar is good sounding to,other songs worth listening to are fly united,im krater bluhnwieder die brume,mozambique,dr,,trap, pig man [a brillant track],manana[sounds brilliant to],and ladies mimikry[i dont really like the start to ladies mimikry but it gets better as it gets going,the cd ive got is the spv revisited 2007 version which has bonus tracks which are ok to have and are good to its a gate fold which is nice to own i got it from ebay same with every other dull album i got which the prices are fair,buy this its another duul must have,i give it 5 stars although i dont like jalousie track number 2,just listen to a morning excuse and apocalyptic bore there the best spongs on this album which will have you hooked everytime. AMON DÜÜL II Vive la Trance music review by davidsporle

Songs / Tracks Listing
1. A morning excuse (3:19)
2. Fly United (3:33)
3. Jalousie (3:27)
4. Im Krater blühn wieder der Bäume (3:08)
5. Mozambique (7:40)
6. Apocalyptic bore (6:38)
7. Dr. (3:00)
8. Trap (3:35)
9. Pig man (2:38)
10. Mañana (3:20)
11. Ladies mimikry (3:18)

Total Time: 43:36
Line-up / Musicians - Robby Heibl / bass, acoustic guitar, violin, vocals
- Chris Karrer / acoustic & electric guitars, violin, saxophone, vocals
- Renate Knaup-Kroetenschwanz / vocals
- Peter Leopold / drums, percussion
- Lothar Meid / bass, vocals
- Falk U. Rogner / organ, synthesizers
- John Weinzierl / acoustic & electric guitars, vocals



Amon Düül II - Apocalyptic Bore


Mozambique - Amon Düül II (1973)

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Monday, 5 September 2011

Amon Duul II - Live in London (1973)


In the early 1970's record prices in the UK were pretty much fixed. If you wanted to buy a full priced LP, you knew exactly how much you would have to pay. It was therefore very tempting to buy anything which was priced substantially below full price, regardless of whether or not you had even heard of the band. Bands such as Can, Gong, Faust, ELP, Pink Floyd, etc. all released budget priced albums around this time. Usually these were either live albums, or studio recordings which were not deemed to be worthy of inclusion on "proper" albums. The budget priced releases were intended both to satisfy existing fans and to tempt others to try out the band. Unfortunately, the questionable quality of many of these albums ("The Faust Tapes" being a prime example) meant that in a number of cases, casual listeners were actually put off the bands. ("Faust 4" was subsequently marketed with the slogan "very commercial" in an effort to redress some of the damage done by "The Faust tapes"!) Not all were bad, in the case of ELP and Pink Floyd for example, those releases are of course now classics.

"Live in London" by Amon Duul II was a budget priced album released in 1973, and costing less than a pound (full priced albums around then were about 3 pounds). Unlike a lot of the others, "Live in London" was actually good. The recording quality is not that great, but the quality of the music does come through well. Starting with the blistering "Archangels Thunderbird", reminiscent of Led Zeppelin's "Immigrant song", the casual listener's attention is immediately caught. Renate Knaup-Krotenschwanz's (love the name!) vocals are something of an acquired taste, sounding a bit like Jon Anderson on helium, but instrumentally the band are tight, and entertaining. The vibrato effect is overdone at times, and can become a bit irritating. I suspect some of the audience at the gig must have had tinnitus for days afterwards.

"Improvisation", which closes side one, finds the band suddenly in full Tangerine Dream mode. Presumably the rest of the band had a comfort break while Falk-U Rogner (is that his real name!?) dabbled with his keyboard effects.

The track titles on side 2 are as entertaining as the music. "A short stop at the Transylvanian brain surgery" and "Dehypnotised toothpaste" give an idea of numerous titles to chose from (13 in all!). The final track, "Race from here to your ears" is a lovely, almost ballad track which builds to a storming climax reminiscent of Uriah Heep's live "Circle of hands" ending, and complementing beautifully the opening "Archangels thunderbird".

The album sold well in the UK almost due entirely to the price, but those who bought it must have been impressed by the musicianship and originality on show. Perhaps however the music was not quite accessible enough to tempt the new and inquisitive audience to buy the band's subsequent releases in any great numbers. An album very much of it's time, but enjoyable anyway. AMON DÜÜL II Live in London music reviews and MP3

Songs / Tracks Listing 1. Archangels Thunderbird (3:07)
2. Eye Shaking King (6:24)
3. Soap Shop Rock (7:42)
4. Improvisation (3:40)
5. Syntelman's March Of The Roaring Seventies (8:08)
- a. Pull Down Your Mask
- b. Prayer To The Silence
- c. Telephonecomplex
6. Restless Skylight-Transistor Child (8:42)
- a. Landing In A Ditch
- b. Dehypnotized Toothpaste
- c. A Short Stop At The Transylvanian Brain Surgery
7. Race From Here To Your Ears (5:06)
- a. Little Tornados
- b. Riding On A Cloud
- c. Paralized Paradise

Total Time: 42:49

Line-up / Musicians - John Weinzierl / guitars, vocals
- Lothar Meid / bass and vocals
- Chris Karrer / guitar, violin, soprano sax
- Falk-U. Rogner / organ, synthesizer
- Renate Knaup-Krötenschwanz / vocals
- Daniel Fichelscher / drums
- Peter Leopold / drums


Amon Düül II - Race from here to your ears (Live in London 1973)


Amon Düül II - Archangels Thunderbird (Live in London 1973)


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Saturday, 7 May 2011

Amon Duul II - Carnival In Babylon ( 1972 )


As ADII continued their usual chaotic way with constantly shifting line-ups (including the returning of a few older members), the group's sound naturally kept on changing. CIB is indeed the logical continuation of TDL, but in all logic, CIB belongs to ADII's second era/trilogy, while TDL can be linked to the group's first period/trilogy. Indeed the musical emphasis is now shifted on much tighter songs (all things relative, this remainig ADII) which are noticeably shorter and only two of them above the 7-mins mark. Graced with a carnival paper exotic bird over a setting sunset, the inside gatefold sporting a group shot in somekind of botanical gardens, but clearly inclined to represent some tropical forest under the Equator or other (as the title indicates). The for-now septet (quintet on the pictures and at release time with a UK tour on hand) also included guest Rogner (who signs all the lyrics, too) and saxman Kübler; the group recording the album in late 71 (intended originally as a double album) in their Munich hometown.

As hinted by the title and artwork, this album delivers at times an exotic feel through some ethnic folk tracks: All The Year Rounds & Tables Are Turned are both Knaup-sung and making me think of the Yeti folk tracks lost on that album. Some other tracks, like In Uruk are still hovering the psychedelic 60's and some superb descending lines over a quite-intriguing guitar solo ending the track. The longer-but-trimmed Hawknose Harlequin and the bass-driven and organ-underlined Shimmering Sands are two of the albums most memorable tracks, while Kronwikl is the album's better known track and also sporting a good bass line.

Although I've only ever seen or heard the Mantra label release of this album (and to be honest I've checked the Captain Trips version), I'm sure there are more recent releases offering some bonus tracks, most probably an extention of Harlequin, trimmed from 40 to 10 minutes to fit in the single lp or more of the same. If this album doesn't seem to click in directly, you might want to try the previous Lemminos and the next Wolf City and you'll find the Carnival does sit quite well between thes two albums AMON DÜÜL II Carnival in Babylon music reviews and MP3 ( Review from progarchives.com)

Songs / Tracks Listing

 1. C.I.D. In Uruk (5:30)
2. All The Years 'Round (7:20)
3. Shimmering Sand (6:33)
4. Kronwinkl 12 (3:52)
5. Tables Are Turned (3:34)
6. Hawknose Harlequin (9:48)

Total Time: 36:37

Line-up / Musicians
- Danny Fichelscher / drums, congas
- Karl-Heinz Hausmann / keyboards, electronics
- Chris Karrer / acoustic & electric guitars, violin, Soprano sax, vocals
- Renate Knaup-Krötenschwanz / vocals
- Peter Leopold / drums, tambourine
- Lothar Meid / bass, vocals
- John Weinzierl / acoustic & electric guitars, vocals

+ Joy Alaska / backing vocals
- Olaf Kübler / Soprano sax, door
- Falk U. Rogner / organ
Download Carnival In Babylon


AMON DUUL II:CARNIVAL IN BABYLON (2)


ALL THE YEARS ROUND - Amon Düül II





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